B I O

CURATORIAL CONSULTANT / BOOK + EXHIBITION DESIGN / WEB + MEDIA DESIGN

"Elizabeth Avedon is one of the most talented and creative people I've ever worked with. Her taste and intelligence are impeccable. She initiated and executed a wide range of projects for my Foundation, not the least of which was my own photography exhibit, portfolio and book, which are still being shown around the world today. "
–Richard Gere, President and Founder of the Gere Foundation

Through her collaborations with major museums, publishing houses, advertising agencies, galleries and artists, Elizabeth Avedon has received recognition for her curatorial work, exhibition design and publishing projects, including the retrospective exhibition and book Avedon: 1949–1979 for the Metropolitan Museum of Art; In the American West for the Amon Carter Museum, the Corcoran Gallery, and the Art Institute of Chicago, among others. In addition, she has also worked with the Menil Collection and the Estate of Diane Arbus.

In conjunction with Random House, she co-published the Elizabeth Avedon Editions/Vintage Contemporary Artists series, working with distinguished art critics such as Donald Kuspit and Peter Schjeldahl, and contemporary artists Francesco Clemente, Louise Bourgeois, Eric Fischl, and many others. Former Director of Photo-Eye Gallery, Santa Fe; Creative Director for The Gere Foundation; Art Director for Polo Ralph Lauren; Picture Editor for Polo.com Magazine; and a founder of Tibet House, New York; Elizabeth is a regular contributor to La Lettre de la Photographie, as well as working as an independent curator and consultant. Portfolio Reviews for CENTER'S ReviewSanta Fe; PHOTOLUCIDA Critical Mass; ASMPNY; 10Best10

Wired Magazine Raw Meet Interview by Pete Brook

A Photo Editor Interview / MPB Interview / Wink Magazine Interview

"I met Elizabeth Avedon at Review Santa Fe 2011 and her positive response to my work was a massive boost to my confidence and a validation that I was doing something worthwhile and worth developing. She was extremely forthcoming about how the fine art photography world works, which my being a "babe in the woods" her advice was a massive shortcut to knowledge that would have taken years to come by. Elizabeth has been one of the best, most useful and nicest contacts I have made in the photographic world." – Photographer Joanna Black

La Lettre de la Photographie Profiles
Jack Woody, Twin Palms Publisher
Anne Wilkes Tucker, Photography Curator
Richard Gere on Photography
More Profiles...